The id is the most basic part of the personality, and wants instant gratification for our wants and needs. If these needs or wants are not met, a person becomes tense or anxious.
"You must try to forget all you have learned. ou must begin to dream. From this time on you must shut your ears to the roaring of the voices."
His hands would touch their shoulders or tousle their hair. His voice was soft. His voice and hands were instruments of kindness.
One summer afternoon he is on the verge og doing so when Wing is telling him he tries to be too much like other people in town. "You are destroying yourself", he cried. "You have the inclination to be alone and to dream and you are afraid of dreams."
Ego: Dealing with Reality
The ego deals with reality, trying to meet the desires of the id in a way that is socially acceptable in the world. This may mean delaying gratification, and helping to get rid of the tension the id feels if a desire is not met right away. The ego recognizes that other people have needs and wants too, and that being selfish is not always good for us in the long run.
Wing walks across the field of weed and looks toward town for a moment and then, afraid, hurries back to the porch and resumes pacing.
Suddenly Wing puts his hands in his pockets. Tears well in his eyes, and he says he must go home.
He thinks his hands are responsible for his timidity, his fear of everyone.
Superego: Adding Morals
The superego develops last, and is based on morals and judgments about right and wrong. Even though the superego and the ego may reach the same decision about something, the superego’s reason for that decision is more based on moral values, while the ego’s decision is based more on what others will think or what the consequences of an action could be.
Sometimes, when talking with George, Wing beats his fists on a wall or table -- or even a stump or a fence if they are outdoors. Doing so makes him feel more at ease.
To help him make his point, Wing beats on a grass bank.
George, unsettled by the terror in Wing's eyes, vows not to ask him about his hands.
One would be able to say that this ad was written for wives and mothers across the nation. The ad specifically states that the “Missus” will use the Tide detergent, not males and females. This statement would cause some sort of controversy if used today. This is probably one of the biggest changes about today’s society to the society in the 1950’s. Back then, women were expected to stay at home, clean the house and raise the kids. In contrast, today, women are more involved in working leaving less time for them to be responsible for all the cleaning tasks. In some households, the task of laundry may be split between the both of them, not just the wife. The man’s button down shirt shows that he has a white collar job, making him look professional and sophisticated. Other men who see this ad would correlate Tide with being successful. They may begin to believe that if they wash their clothes in the detergent that they too will have a prosperous future as well. Also, the couple in this ad is both Caucasian. This quality may turn off buyers of different races.
Furthermore, this advertisement can be pinpointed to say that it uses pathos and ethos to convince viewers that Tide detergent is the best. As stated above, women did all of the laundry in this time frame. Since the man’s shirt is so bright and clean from using the soap, it displays that the man’s word is trustworthy and reliable. This is an example of ethos being used. Pathos can also be argued because certain words are specifically used to get emotion out of the target audience. This like brighter and cleaner will go into a readers mind as positive things, making them want to buy the brand. Pathos was also used when the wife showed her love towards her husband and when the husband was matched with being successful. Both of these things carry emotions with them that can make viewers feel as if tide will make them more fitting to the American dream.
The second advertisement is much more current than the last. One would easily be able to tell the differences in time periods between the two. Taking up the majority of the page is a large picture of a girl around the age of four. She is sitting on her kitchen floor, smiling at the camera with joy filled in her eyes. It appears that she had got into the chocolate cake mix. The mess of the mix is spilled everywhere, especially all over the little girls light blue shirt and jeans. Under the picture the words, “Having kids make you want to hit the bottle,” can be read. After looking at the ad, one would be able to say that mothers and fathers are the intended audience because they are always trying to find ways to get their families messy stains out of their clothes. Unlike the other ad, not one specific gender can be pinpointed because in the current time period, everyone seems to take equal responsibility of the laundry. Furthermore, one race is not directly intended for this ad. It’s more about the parenting than ethnicity.
The meaning behind the ad is trying to say that having kids is never an easy task. There are a variety of unexpected things that could go on in a parents’ life, one being shocking messes. The ad wants people to know that when unexpected messes come ones way, they can always count on tide to make some situations better because one shouldn’t have to struggle. In addition, Tide can also be seen as trustworthy in this ad because parents trust Tide to get the stains out as well as let it touch the clothes that their children wear. Also, the makers of this ad use a funny and catchy slogan under the picture. Parents will appreciate this slogan seeing the Tide has sympathy for the unexpected things their kids may become involved and in turn will choose Tide over other brands.
After reviewing the components of this ad, one would be able to say that pathos was used to persuade viewers. Pathos is known for using emotion to connect what the author to the readers. Here, the picture of the little girl is wrapped up with so many emotions including frustration and annoyance. All of these are things that parents can relate to and shows them that Tide understands that parenting can be a challenge.
Both of the ads work together to say that they believe Tide is best detergent on the market. It’s not only reliable but claims to work by cleaning clothes better than other. Some may beg to differ with what the ad says. According to an author, Tide has been tested and shown to contain carcinogens, which could be dangerous to the health of families using the detergent (Amy Westervelt 2012). These carcinogens are shown to cause cancer. No parent or wife would want to put others in their family around these types of chemicals. Nowhere on these ads does it inform viewers that the detergent contains these harmful chemicals.
In conclusion, Tide detergent ads contain more meaning than one would believe. They come off to their consumers as a trustworthy and well cleaning product, but there are negative sides to the product as well. When choosing the best ad to cover up the detergents flaw, the second younger ad should be picked. Unlike the first ad, this one uses pathos to show sympathy and a greater emotional connection to its parental viewers. It also speaks to a wider variety of people, being both mothers and fathers, not just wives. Furthermore, it shows that it can be trusted when it comes to one’s child, making it seem very safe and reliable.
According to Marxists, and to other scholars in fact, literature reflects those social institutions out of which it emerges and is itself a social institution with a particular ideological function. Literature reflects class struggle and materialism: think how often the quest for wealth traditionally defines characters. So Marxists generally view literature "not as works created in accordance with timeless artistic criteria, but as 'products' of the economic and ideological determinants specific to that era" (Abrams 149). Literature reflects an author's own class or analysis of class relations, however piercing or shallow that analysis may be.
ANALYSIS
"Pangako Sa 'Yo" is one of my top choice of piece when it comes to Marxism. The teleserye reflects a dominant ideology since there's a gap between two classes such as the subordinate class and dominant economic class. The story starts with, when Dona Benita opposes the relationship of Amor and Eduardo because Amor was a housemaid and she wanted Eduardo to marry Claudia for political reasons. The dominant ideology that can be seen here is that when a person has a higher economic status than the other then there's a tendency that the former will be given greater privilege than the latter which is a reality in the economic world.
The teleserye shows the reality of the oppression wherein people in lower class are being devalued due to their low economic status. It emerges from the fact that money is power. If you don't have money, then you don't have a voice to speak for your right in the economic world.That's why this teleserye wants to show the world that the value of a person is more important than money. It delivers a heart touching lesson that wealth and power will never in this world rather what stays forever are those things which are invisible but can be felt only in our hearts.
Things Fall Apart is generally seen as Achebe's way of taking back Africa from Joseph Conrad and Heart of Darkness. More than that, it's Achebe's way of talking back to Conrad about Africa.
The novel focuses on the Igbo people in the years leading up to the arrival of the first Christian missionaries—it follows Okonkwo, a respected member of the tribe, as he builds up his reputation; knocks it down again with some accidental murders; loves, raises, and kills an adoptive son; and is exiled for killing a different boy. Basically, we get to see the ins and outs of pre-colonized Africa and get a hint of what's to come when the missionaries show up.
Moulin Rouge is a movie starred by Christian, a young poet, who cameto Paris to follow the Bohemian revolution taking hold of a city's drug and prostitute infested underworld . And nowhere is the thrill of the underworld more alive than at the Moulin Rouge, a night club where the rich and poor men alike come o be entertained by the dancers , but things take a wicked turn for Christian as he starts a deadly love affair with the star courtesan of the club, Satine. But her affections are also coveted by the club's patron: the Duke. A dangerous love triangle ensues as Satine and Christian attempt to fight all odds to stay together but a force that not even love can conquer is taking its toll on Satine.
A short time after the first film, Mavis and her fiance Johnny are married, with the approval of her father Dracula and the world has become aware of (and unfased by) the existence of monsters. Mavis later reveals to Drac that she is pregnant and a year later, she gives birth to a son named Dennis, who befriends Wayne's werewolf pup daughter Winnie. Nearing his fifth birthday, Dennis has yet to grow his fangs and Drac worries that his grandson might not gain vampire powers. Noticing the dangers of Transylvania, Mavis starts to consider raising Dennis where Johnny grew up, much to Drac's disapproval.Drac tells Johnny (who does not want to leave the hotel either) to bring Mavis to California to visit the in-laws, Mike and Linda , but to make sure to keep her distracted so that she won't want to move, leaving Drac to babysit Dennis. Drac enlists his friends,Frank, Wayne the Werewolf, Griffin the Invisible Man , Murray the Mummy and Blobby the Blob to help train Dennis to become a monster, to no avail. Drac takes Dennis to a summer camp where he learned to hone his vampire abilities, only to find that the camp is no longer as dangerous as it was when he went there. Desperate, Drac hurls Dennis from a tall, unstable tower to pressure his transformation into a bat, but rescues him at the last second. The stunt is filmed by the campers and uploaded to the internet, which eventually reaches Mavis and Johnny who decide to hurry back to Transylvania. As there aren't any flights available, Mavis flies straight to Translyvania as a bat carrying Johnny. Drac's pack reaches the hotel a couple of seconds after Mavis, who angrily scolds her father for endangering Dennis and his inability to accept that he is human, promising to move out of the hotel after Dennis’ fifth birthday next Wednesday.Mavis invites Vlad, her grandfather and Drac’s father, to Dennis’ birthday party. As Vlad is much worse than he was when it comes to humans (with Drac saying that he would "steal their souls"), Drac tells Johnny to have the human partygoers disguise themselves as monsters. Vlad receives the invitation and arrives with his monstrous bat-like servant Bela to meet his great-grandson for the first time. Meeting him, he believes that fear will cause Dennis’ fangs to sprout and possesses a stage performer dressed as Dennis's favourite television monster ("Kakie") to scare Dennis, but Drac shields his grandson at the last moment and exposes the deception to Vlad, who is outraged that Drac has accepted humans as guests in his hotel. Drac confronts his father about how humans are different now.Mavis is angered by her grandfather’s behaviour and while the family quarrels, Dennis sadly flees the hotel (followed by Bela) and enters the forest with Winnie in tow, hiding in her treehouse, but they are attacked by Bela. When Bela injures Winnie, Dennis' anger causes him to instantly grow his fangs and his vampire abilities manifest. He begins to fight Bela, who calls his giant-bat minions. Drac, Mavis, Dennis, the rest of the monsters and (some of) Johnny's family team up to defeat his minions. Bela attempts to kill Johnny in revenge with a stake, but Vlad appears with a change of heart where he shrinks his former servant to a harmless size and the Werewolf Kids drive him away.Since Dennis now has vampire abilities, Mavis decides to continue raising her son in Transylvania and the party resumes.
